I'm a children's book editor living in Brooklyn. I post about books, publishing, life, travel, food, and other random stuff. I was widowed in 2016, and may post about my grief and recovery on occasion as well.
Thursday, December 25, 2008
Saturday, November 29, 2008
Some of what I’m thankful for:
-for technology—I’m posting this from a plane! Yes, I’m in the air right now. It boggles the mind. Via www.Gogoinflight.com.
-for my family, and my family’s health
-for a loving extended family—even though we don’t always see eye-to-eye in terms of religion and politics, I know they’re always there for me
-for having a job that I love with a company that is reasonably stable (even flourishing), during these difficult economic times
-for having fabulous coworkers, especially my amazing assistant. They all rock!
-for all of the wonderful attention that Wabi Sabi has been receiving
-for living in a wonderful, free country (and yes, for Obama being elected)
-for my affordable, spacious apartment in Manhattan, and my fun, considerate roommates
-for Central Park and the East River, perfect places to run
-for Podcasts like “This American Life,” “Slate.com” (especially the Gabfest), and “RadioLab”
-that my parents’ house was safe from the fires
-for my gadgets/electronics: my Sony Reader, Macbook, iPod Touch, cell phone
-for my talented, genius authors and illustrators, the best in the business
-for my fellow Blue Rose Girls
-for the Randoms (we're not as crazy and active as we once were, but we're still there for each other)
-for caring, fun friends, both new and old, spread all over the world
-for G
-for the Puppy Cam
-for the Kidlitosphere
-for good food, drink, and times
-for life and all it’s endless possibilities (or should I say, bloomabilities?)!
Happy (belated) Thanksgiving, everyone!
Wednesday, November 19, 2008
Jason's 33rd B-day
Thursday, November 13, 2008
Puppy Cam!
I've been obsessed with these Shiba Inu puppies since I saw the link on Gawker a few days ago. Tuesday, November 04, 2008
Voted!

(edited to add: I'm so proud of Bindu, who just became a citizen and who voted for the first time today!)
The lines inside seemed pretty long:

But once we found out our district number, for some reason we were able to bypass most of the lines--the whole process took only about 15 minutes!
I didn't get an "I voted" sticker for some reason, but once outside I put my pin back on. If you look closely, you can see who I voted for, not that it's been a huge secret or anything:
It's an exciting day!
Saturday, October 18, 2008
More SNL
Sunday, October 12, 2008
Scary, sad stuff
Really sad:
Really frightening:
If those didn't work, you can view them here and here.
Sunday, September 14, 2008
Monday, August 18, 2008
Olympic obsession
Some thoughts on Book Design
In the meantime, here's my BRG post:
I was thinking recently about how hard it must be to be a book designer. I admire what they do so much, their thought and creativity that goes into the design of each book. I think I'm especially in awe of how covers of novels come to be--with pictures books, they already have an artist and images to work with and inspire them, but for novels they have to conjure up a design from thin air, sometimes. But what I think must be the hardest thing to deal with is knowing that ultimately their design is not "their own"--that they have to answer to so many different opinions. The editor has to be happy, the author has to be happy (even thought most authors don't officially have consultation or approval of the cover, of course we want them to be happy!), and in most cases, an entire jacket committee consisting of marketing, sales, design, and various editorial sorts have to be happy. And it doesn't stop there--we want the book buyers to also love the cover, and of course you're also trying to make the cover appealing to both the adult buyers (booksellers, librarians, teachers) and the kids, too.
And sure, as an editor, I sometimes think about all of these people while editing a text, too, but I also know that ultimately, the book truly belongs to the author, and although I may ask them to change something, they have every right to say no. When I bring a book to editorial meeting and then on to our acquisitions committee, sometimes (often) different people have different opinions. One person might hate a part of the book that was someone else's favorite part. Some people might dislike a plot twist that others think make the book special. It goes on and on. And so I've come to realize that when it comes time for me to edit the manuscript and work with the author on making the book better, I have to decide in my own heart and mind what I feel the book needs, regardless of whose feedback it goes against. Because I know that in the end, if the author can make it work (and of course they can!), the readers will accept it.
Designers don't have that freedom. They have to answer to all the people I've mentioned above. That's their job. And I know that in the past I've struggled sometimes with trying to balance the designer's vision with that of the author's--it's a shame when they aren't aligned. Personally, I trust our designers and their vision, and love working with them on cover designs. In some cases, I have an idea of what I want the cover to look like, but oftentimes I'll wait and see what the designer comes up with first so as not to taint their creativity. Sometimes I just have a feeling I want to convey. "The cover should be joyful, full of color and light" or "it should be thoughtful and quiet, have a very literary feel" or "I want to make sure that the cover has crossover adult appeal" and so on. And the designer takes this all in and works their magic. And although it might take a few takes, the designer never lets me down.
There have been times where I'm discussing a novel with the designer and telling them, honestly, that I have no idea what I envision for the cover. One example is for the novel Firegirl by Tony Abbott, which is about what happens when a new girl joins a 7th-grade class. The new girl is a victim of severe burns on her face and body, and because of her appearance, some of the class fear her. The only image that came to mind when thinking about the cover, which I knew would not be appropriate, was to show a photograph of a girl being burned. And so I put it completely in the designer's hands. She came back with an idea I found absolutely perfect. This is one of my favorite covers for a book I've edited. What do you think?
Another thing difficult about book design is that everyone has an opinion about covers. It's inevitable. We judge a book by its cover, after all! And in the case of picture books (as many of my fellow BRGs know) and some novels, you're working with an illustrator or author who is an artist, and sometimes also a designer themselves, and then the designer has to adjust how they work even more, and weigh everything with their own expertise, and their own knowledge about what works and what doesn't in regards to the market and our own jacket committee. It's not an easy task. I feel lucky to work with such talented designers. They rock! Here's a sampling of some recent and upcoming novel covers our designers have done that I especially love:



